Starbucks-Boulange Brand Damage

When Starbucks announced its June 2012 acquisition of San Francisco-based Bread, LLC and its La Boulange® bakery brand I thought, “nice move.” LaStarbucksAs a customer of both Starbucks and La Boulange, I envisioned a well-deserved expansion of the French-themed bakery/restaurant into new markets under the guidance of Starbucks’ location wizards. Unfortunately, Starbucks seems to have had a different plan, clumsily attempting to sandwich the new brand into the Starbucks experience. As a loyal customer of both brands, I witnessed the brand damage first-hand.

Everyone knows Starbucks. It’s an American northwest brand, which introduced eclectic cafe-centric comfort snacks to middle America. Fewer people know La Boulange, a regional French-themed bakery/restaurant offering fresh baked goods, sandwiches and snacks, and espresso with a continental flair. On paper, the two brands appear similar, but the customer experiences are distinct. Merging the two brands smacks of expedience over customer-focus.

So what happened? Shortly after the acquisition, Starbucks began to roll out new food items branded “La Boulange” in a few Starbucks locations. Among those food items were pastries presented in small shapes, including croissant squares and coffee cake briquettes. I puzzled over the move. Why would Starbucks introduce a French-themed brand into its distinctly American experience? Why would those La Boulange-branded items be sub-standard (not even equivalent to those served in actual La Boulange shops)? Why would the server insist on heating the Boulange items, signaling a lack of freshness while slowing the line?

In Boulange, I can have a fresh blueberry pound cake slice, fresh French bread, a fresh mini-BLT or fresh smoked salmon sandwich on mini French bread. In Starbucks, I can have an overwrought Boulange breakfast sandwich (not as good as its Starbucks precursor), an industrial Boulange croissant square or an overpriced Boulange sandwich. My Starbucks experience suffers, and my estimation of La Boulange is lowered. As a Starbucks and Boulange customer, I see the damage to both brands.

What was Starbucks’ mistake? I can only surmise that senior executives rationalized the acquisition of a coveted brand based on internal pressures, without adequate customer focus. I don’t believe a conscientious brand manager would make such a mistake without a corporate mandate. The Starbucks/Boulange case study will make for interesting reading in future business-school textbook.

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Steve Jobs, 1955-2011

My first computer was an Apple II Plus. I paid more than $3,000 for it so I could write—and then edit without retyping—my school papers without tearing out my hair. (Until then, I was practically addicted to Wite-Out.)

That first computer started my 30-year love/hate relationship with technology. Thank you Mr. Jobs for your part in that, and for continuing to frustrate my attempts to change any battery in any of your products.

I’m sad to see you go, and I offer condolences to your friends and family. With the greatest admiration and respect….

Dave Kalman

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Posted in Ramblings from Dave Kalman

The Netflix Brand Attraction Challenge

Re-post: This article first appeared March 3, 2006.

As home entertainment evolves and subscriber acquisition costs grow, customer loyalty will have a greater profit impact

Netflix Magnet
With more than 3 million subscribers (and climbing), Netflix is the leader in online DVD rentals. Founded in 1999 and rising out of the flames of the dot com bust, Netflix has earned a place among the country’s top home entertainment brands. With its tight focus and flawless execution, Netflix has made me an admirer. But as a customer since 2003, find myself strangely distant from and only loosely engaged with the brand. While the company aggressively pursues new subscribers, it seems curiously nonchalant about customer loyalty in the face of lurking competitive forces that include other DVD rental outlets, DVD sales outlets, on demand cable, broadband video content, computer games, and REAL LIFE, including work, school, family, and live entertainment.

Netflix does provide an enjoyable and useful website, which the company claims (credibly) as the industry leader in customer satisfaction. Yet beyond perfunctory email newsletters I’m unaware of any attempt by Netflix to engage me in other ways. I spend about 40 minutes each month updating my queue and reading reviews, and then I’m gone. I generally ignore Netflix emails, which lack content value. When I watch a DVD (about two each week), I perceive the branding on the mailing sleeve as I remove and reinsert the disc (and then return it to the mailbox), but the movie experience itself is only weakly associated with Netflix. (Where’s the Netflix splash screen?)

As much as I enjoy the service, Netflix ultimately falls low on my priority list. For Netflix this represents a risk in terms of my loyalty. I’m susceptible to both competitive offers and brand apathy. I might switch, or simply lapse as the home entertainment landscape evolves. This kind of weak brand attraction may be what put Netflix in an awkward position in 2004, when in April it announced it would raise its standard pricing from $19.95 to $21.95 and then in November flip-flopped by lowering the price to $17.99 under pressure from Blockbuster and Wal-Mart. When brand attraction is weak and the cost of switching is minimal, then price remains one of the few (and most unforgiving) competitive levers. At the time of the price cut, Netflix stock suffered a decline of more than 40 percent (from which it has recovered nicely).

It’s also possible that Netflix has become somewhat complacent with its apparently low subscriber churn. Netflix pegged its 2Q 2005 average monthly churn at 4.7 percent (vs. 5.0 percent for 1Q), which sounds great but still represents approximately 529,000 cancellations in the quarter. (Netflix, like many companies, has its own “churn” formula, which it defines as “customer cancellations in the quarter divided by the sum of beginning subscribers and gross subscriber additions, divided by three.”) While the company added 707,000 new subscribers in the same period for a net increase of 178,000, the cancellations are nothing to sneeze at. At this level, Netflix churns more than half of its subscribers every 12 months. And therein lies the challenge. Conventional wisdom says that it costs less to keep a customer than to find a new one, yet while Netflix may defy conventional wisdom in the short term through aggressive new sub acquisition, in the long term it must create new ways to strengthen its brand attraction. By its own account, in 2Q 2005 the cost to acquire a new subscriber increased 6 percent versus the same period in 2004. On the operational side, Netflix has the added complication of sensitivity to postal rates, which could rise in 2006 and 2007, depending on the outcome of postal reform legislation in Congress.

My meandering detour through the numbers juxtaposes the facts of Netflix’s astounding success with indicators of potential hazard. The consequence boils down to customer profitability: if pricing remains sensitive to external pressure while acquisition costs continue to increase as the market matures, then customer loyalty, i.e., brand attraction, becomes a key lever for both profitability and the ability to introduce new high-growth products.

The lack of a Netflix effort to engage me beyond the website and a few emails suggests over-reliance on new subscriber acquisition, and perhaps a classic dot-com online-only bias. If Netflix aspires to reduce churn further and increase revenue per subscriber, it must consider specific strategies or programs beyond the website and email. One approach could be to reimagine a Netflix subscription as membership in a club (not unlike the Auto Club), with membership-oriented benefits such as print publications, discounts, and events. Another approach could be to reposition Netflix as a full service media company, offering exclusive and/or original content as a way to transition into broadband delivery. Of course, a growing, tightly focused, and profitable business such as Netflix is an attractive merger or acquisition prospect. But even if Netflix hopes for nothing more than to be acquired, increasing brand attraction can only enhance stakeholder value. END

Sidebar: Breaking the Mold While Keeping the Brand Promise

Netflix has demonstrated remarkable sensitivity to its subscribers’ needs. I receive DVDs the day after they ship. My DVDs arrive in a package uncluttered by advertising. And I receive essential emails only. When a DVD I mailed was lost, Netflix apologized to me for my inconvenience. There was no interrogation or penalty. These high standards provide a competitive advantage, but at the same time, they represent a challenge by limiting the new products, partners, and communications the company can introduce to the brand community. Deviation from the brand promise can trigger brand community resistance or backlash, such as when Porsche introduced its low-end Boxter (sacrilege!), and later its Cayenne SUV (heresy!). (Do a web search for Porsche Boxter or Cayenne, and you’ll see what I mean.) Netflix has an advantage over Porsche in being able to test and refine new offerings over the course of a subscription. The key for Netflix is to use new offerings to increase the value that subscribers receive while resisting the temptation to simply monetize the subscriber database without adding value. – David M. Kalman

David M. Kalman is the president of Terrella Media, Inc. and editor of BrandMagnet.

Related Content

Netflix Q2-2007 Update

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Posted in Brand Community Media Strategy, Custom Media, Custom Publishing, Email and Social Media Marketing, Publishing Strategy Tagged with: , , , , , , , , , , ,

Beware the Exploding Smartphone

Disruptive technologies and products win by changing the rules of the game. They reset expectations. They break business models. They sink entire industries. They blow stuff up. The smartphone is one one such technology.

The disruptive nature of the smartphone may not be immediately obvious, but as acceptance reaches critical mass we’ll start to see the effects. Consider the list of devices, products, and services that smartphones already duplicate or replace.  (And imagine the world twenty years from now when a super-smartphone fits in a shirt button or in a subdermal implant.)

Replaceable/Replaced by smartphones:

Alarm clock
Assisted listening device
Automated Teller Machine (ATM)
Bar code scanner
Calculator
Calendar
Camcorder/VCR
Content: printed books, newspapers, reference materials, stock tickers, school books
Credit card reader
Game controller
Egg timer
Event tickets
Flashlight
GPS device
Guitar tuner
Handheld game system
Identification card
Lost child locator/tracker
Makeup Mirror
Metronome
MP3 player/CD player
Musical instruments/devices: Theramin, keyboard, drum pad, synthesizer, mixing studio
Notebook PC
Notepad
Pedometer
Personal security device (“alarm”)
Photo album
Pocket pager
Pocket translator
Police scanner
Remote control device
Road map
Rolodex
Radio: broadcast radio, emergency/weather radio
Point and shoot camera
Seismograph
Speedometer/odometer
Store coupons
Strobe light
Telephone/answering machine
Television
Tour guides
Voice memo recorder/dictating machine
Walkie Talkie (PTT)/emergency communication device
Web cam/video phone
Wireless router
Wristwatch

…and many more. Can you add to this list? Leave a comment.

Added 1/15/2012…


Biometric scanner (Fingerprint and iris scanner)
Heart-rate monitor
Hearing tester
Steering controller

Can you think of more?

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Posted in Custom Media, Custom Publishing, Dave Kalman Analysis, Email and Social Media Marketing, Ramblings from Dave Kalman Tagged with: , , ,

Interactive Video Just Might Bring Customers Closer

The pop band/art troop Devo has released what it claims is the first interactive music video for their song “What We Do.” In addition to allowing viewers to choose scenes around a 360-degree panoramic virtual stage, the interactive video enables viewers to purchase merchandise featured in the video.

The Devo interactive approach offers some interesting opportunities for marketers. (Imagine feature films and t.v. series from which users can instantly order the product placements.)

Also, I’m intrigued that Devo’s interactive video format requires features that Youtube currently can’t support. Just when we thought Youtube was the only game in town, Devo launches cutting edge capabilities on Mashable.

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Posted in Brand Community Media Process, Custom Media, Dave Kalman Analysis, Ramblings from Dave Kalman